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发信人: jupiter (流浪的星), 信区: Art
标 题: 高更 （Paul Gauguin）
发信站: BBS 荔园晨风站 (Fri Jul 21 21:50:42 2000), 转信
高更 （Paul Gauguin）
Gauguin, Paul (1848-1903), French postimpressionist painter, whose
subject matter, lush color, and flat two-dimensional forms helped form
the basis of modern art, fauvism in particular. Born in Paris, Gauguin
became a successful stockbroker. Influenced by French impressionism,
he also became a collector and amateur painter. He eventually devoted
himself entirely to painting, abandoning his family. Under the influence
of French painter Bernard, Gauguin turned away from impressionism and
adopted a less naturalistic style, which he called synthetism.
Finding inspiration in the art of indigenous peoples, in medieval
stained glass, and in Japanese prints, he used large flat areas of
nonnaturalistic color.
In 1891 Gauguin sailed for the South Seas, living first in Tahiti and
later in the Marquesas Islands. His painting retained expressive color,
denial of perspective, and thick, flat forms; and his works became more
powerful as his subject matter became more distinctive, his scale
larger, and his compositions more simplified. His subjects
ranged from scenes of ordinary life to brooding scenes of
superstitious dread. Gauguin's masterpiece is the monumental allegory
Where Do We Come From? What Are We? Where Are We Going? (1897, Museum of
Fine Arts, Boston, Massachusetts).
高更一生都在试图逃避现代都市文明，他自称是一个“幼稚而粗鲁的野蛮人”。但
在欧洲文明社会的熏染下，他不可能有足够的天真、单纯和无知来感受原始人的生
活。他痛苦地挣扎在原始人的野性与文明人的理性约束之间，对人生充满焦虑不安
和疑惑不解。这种矛盾的痛苦促使他完成了一幅幅超凡脱俗又独具风格的作品。在
这些作品中，色彩变成主观化的各种纯色平涂于画面，轮廓线清晰，形体简化概括
。这种种因素的综合所构成的具有装饰性的画面，表达着率直、淳朴与想像。高更
在自己的艺术世界里开创了与其同时代艺术家截然不同的艺术风格，以空前的理念
和技法，为抽象注入了生命。因而，高更自己也成为绘画史上象征派的创始人。
我是双重存在的，我是野蛮人，也是小孩。野蛮人比文明人更优秀。我的画虽然不
蓄意使人惊震、让人张惶失措，但是人人看了之后，都为之惊震，为之张惶失措。
这都是我血液里野蛮人性格所造成的。 ——高更
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啊，多美呀，请停留一会。
※ 来源:·BBS 荔园晨风站 bbs.szu.edu.cn·[FROM: 192.168.8.57]
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